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Wednesday, April 8, 2020
Is art a useful concept?
Daniel Kaufman recently talked about art and art criticism. His concerns were basically with what certain philosophers have said about these things. He explains that he used to accept Arthur Danto’s views but was persuaded (in part by reading Susan Sontag's essay, 'Against interpretation') that they were mistaken. He notes other philosophers' views which he also thinks are mistaken. And he suggests the outlines of an alternative view of art and criticism: “The idea, then, is that our critical engagements with works of art bring into existence extended, collaborative works, of which the initial artwork is only a first move; something for subsequent artists, audiences, and critics to “riff” off of…”
This, of course, leaves open the question of what counts as ‘art’ and who gets to say so. Does this matter?
Obviously, the word ‘art’ and its cognates are used in different ways. But basically it is a term which conveniently (or inconveniently) groups together and implicitly assigns a “special” status to a wide range of disparate activities/objects, contemporary and historical. That is, the term is extremely vague but generally carries a positive connotation.
I am not saying the word 'art' is meaningless or should not be used. But it cannot bear the weight that intellectuals often put on it. For one thing, it carries a lot of implicit (and dubious) metaphysical baggage and strong links to various kinds of philosophical idealism as well as to certain Romantic ideas. If (like me) you are uncomfortable with many of these historical associations and assumptions, this poses problems.
So also do institutional changes which have created a bureaucratized and self-perpetuating arts or culture "industry", significant parts of which are integrated into, or are directly or indirectly dependent upon, various levels and branches of government.
For me at least, the interesting questions are not about identifying "art" or about its promotion or support but rather about how we respond to and assess the aesthetic qualities of various specific products of human activity. The perceived value and worth of the activities involved will naturally depend, in many cases, upon such assessments.
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